The relationship between simulation, reality, and the quest for understanding is largely a reflexive one. In the stories we tell and the worlds we build, we continually construct mirrors that offer meditations on our identity while simultaneously becoming a part of nature itself. As Philip K. Dick says, “Reality is that which doesn’t go away when you stop believing in it. A simulation is that which doesn’t stop when the stories go away. Stories are responsible to our human desire for resolution, but a simulation is responsible only to its own laws and initializing conditions. A simulation has no moral, prejudice, or meaning. Like nature, it just is.”

“Black Sea” is a kinetic data sculpture that explores the organic interaction between representation and reflection. Using high frequency radar collections provided by Turkish State Meteorological Service of the Black Sea, this piece aims to highlight the symbiotic interplay of technology, art, and nature in relation to humanity’s quest to push the limits of possibility. Our modes of representation and inquiry become a part of our natural world, reflecting and augmenting our perceptions of reality. In our quest for resolution, stories offer us a simulated environment that are in fact just as real as nature itself. The transformation of this sea surface data collection becomes then not just a means of visualizing information, but rather a transmutation of our desire for understanding into a poetic experience.

The art work is specially prepared by Refik Anadol for Innoprom trade fair held on 8-11th of July, 2019 in Yekateringburg, Russia. It underlines the specific importance of Black Sea for Turkey and Russia. The preparation and display of Black Sea artwork is supported by Turkey Promotion Group (TPG).

Refik Anadol Studio
Alex Morozov
Carrie He
Christina Moushoul
Danny Seoung
Efsun Erkilic
HyeJi Yang
Ho Man Leung
Julia Thompson
Nicholas Boss
Raman Mustafa
Refik Anadol
Toby Heinemann

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Black
Sea
:
Data
Sculpture
Exhibition  —  Installation
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